Scorpion-Biography I

Scorpion

Rudolf Schenker, the band's rhythm guitarist launched the band in 1965. At first, the band had beat influences and Schenker himself did the vocals. Things began to come together in 1969 when Schenker's younger brother Michael and vocalist Klaus Meine joined the band. In 1972, the group recorded and released their debut album Lonesome Crow, with Lothar Heimberg on bass and 

Wolfgang Dziony on drums. During the Lonesome Crow tour, the Scorpions opened for upcoming British band UFO. Near the end of the tour, the members of UFO offered guitarist Michael Schenker the lead guitar job; an offer which he soon accepted. Uli Roth, a friend of the Schenker brothers, was then called in temporarily to finish off the tour.

The departure of Michael Schenker led to the breakup of the band. In 1973, Uli Roth, who had helped the Scorpions complete the Lonesome Crow tour, was offered the role as lead guitarist, but turned the band down, preferring instead to remain in the band Dawn Road. Schenker eventually decided that he wanted to work with Roth, but did not want to resurrect the last Scorpions lineup. He attended some of Dawn Road's rehearsals and ultimately decided to join the band,

which consisted of Roth, Francis Buchholz (bass), Achim Kirschning (keyboards) and J?rgen Rosenthal (drums). Roth and Buchholz persuaded Rudolf Schenker to invite Klaus Meine to join, which he soon did. While there were more members of Dawn Road than Scorpions in the band, they decided to use the Scorpions name because it was well-known in the German hard rock scene and an album had been released under that name.

Rise to fame (1974-1978)

In 1974 the new line-up of Scorpions released Fly to the Rainbow. The album proved to be more successful than Lonesome Crow and songs such as "Speedy's Coming" and the title track began to establish the band's sound. Achim Kirschning decided to leave after the recordings. Soon after, J?rgen Rosenthal had to leave as he was being drafted into the army. Later, in 1976, he would join a German progressive rock band called Eloy and record three albums with them. He was replaced by a Belgian drummer, Rudy Lenners.

In 1975 the band hit their stride with the release of In Trance, which marked the beginning of Scorpions' long collaboration with German producer Dieter Dierks. The album was a huge step forward for Scorpions and firmly established their hard rock formula, while at the same time garnering a substantial fan base, both at home and abroad. Cuts such as "Dark Lady", "Robot Man" and the title track are still considered classics by fans today.

In 1976, Scorpions released Virgin Killer. The album's cover featured a nude prepubescent girl covered with broken glass. The cover art was designed by Stefan Bohle who was the product manager for RCA Records, their label at the time. The cover brought the band considerable criticism and was pulled or replaced in several countries. Despite the controversy, the album itself garnered significant praise for its music from critics and fans alike.

The following year, Rudy Lenners resigned due to health reasons and was replaced by Herman Rarebell.

For the follow-up Taken by Force, RCA Records made a determined effort to promote the album in stores and on the radio. The album's single, "Steamrock Fever", was added to some of RCA's radio promotional records. Roth was not happy with the commercial direction the band was taking. Although he performed on the band's Japan tour, he departed to form his own band, Electric Sun prior to the release of the resultant double live album Tokyo Tapes. Tokyo Tapes was released in the US and Europe six months after its Japanese release. By that time in mid 1978, after auditioning around 140 guitarists, Scorpions recruited new guitarist Matthias Jabs.

Commercial success (1979-1990)

Following the addition of Jabs, Scorpions left RCA for Mercury Records to record their next album. Just weeks after being evicted from UFO for his alcohol abuse, Michael Schenker also returned to the group for a short period during the recordings for the album. This gave the band three guitarists (though Schenker's contribution to the final release was limited to only three songs). The result was Lovedrive, an album which some critics consider to be the pinnacle of their career. Containing such fan favorites as "Loving You Sunday Morning", "Always Somewhere", "Holiday" and the instrumental "Coast to Coast", the 'Scorpions formula' of hard rock songs mixed with melodic ballads was firmly cemented. The album's provocative artwork was named "Best album sleeve of 1979" by Playboy magazine though it was ultimately changed for American release. Lovedrive peaked at #55 on the US charts proving that Scorpions were gathering an international following. After the completion and release of the album, the band decided to retain Michael in the band, thus forcing Jabs to leave. However after a few weeks of the tour, Michael, still coping with alcoholism, missed a number of gigs and at one point collapsed on stage and Jabs was brought back to fill in for him on those occasions when he could not perform. In April, 1979, during their tour in France, Jabs was brought in permanently to replace Michael.

The Scorpions' logo

In 1980, the band released Animal Magnetism, again with a provocative cover, this time showing a girl kneeling in front of a man. Animal Magnetism contained classics such as "The Zoo" and "Make It Real". Soon after the album's release, Meine began experiencing throat problems. He required surgery on his vocal cords and doubts were raised about whether he would ever sing again.

Meanwhile, the band began working on their next album, Blackout in 1981. Don Dokken was brought in to provide guide and backing vocals while Meine recovered. Meine eventually healed completely and was able to finish the album. Blackout was released in 1982 and quickly became the band's best selling to date, eventually going platinum. Meine's voice showed no signs of weakness and critical response to the album was good. Blackout spawned three hit singles: "Dynamite," "Blackout" and "No One Like You".